PHOTOS BY BRIAN GUILLIAUX
Kimi Nikaidoh, a Dallas native, received her training from Canada’s National Ballet School, the School of American Ballet, American Ballet Theater, and Tanju and Patricia Tuzer. She spent the first five years of her performing career as a member of the Fort Worth-based Bruce Wood Dance Company. Nikaidoh joined Complexions Contemporary Ballet in 2005, touring nationally and internationally with the company through 2008.
While earning a degree in neuroscience and behavior from Columbia University, Nikaidoh freelanced as a performer, stager, and choreographer in New York City. She restaged works for Bruce Wood,® Dwight Rhoden, and Emery LeCrone at Charlotte Ballet, Boston Ballet II, Dallas Black Dance Theatre, The Juilliard School, Marymount Manhattan College, Point Park University, and Columbia University. Her choreographic works have been performed by Complexions Contemporary Ballet (The Joyce Theater); Bruce Wood Dance (Jacob’s Pillow Inside/Out Performance Series, St. Marks Church, Manhattan Movement and Arts Center, Moody Performance Hall); Avant Chamber Ballet (MPH); Columbia Ballet Collaborative (Miller Theater); and Firebone Theater (Kirk Theatre).
Following Wood’s untimely passing in 2014, Nikaidoh returned to Dallas to serve Bruce Wood Dance as artistic director. She expanded the company’s repertoire with new commissions while working to increase national exposure of Bruce Wood®’s legacy. She conducted the company’s first formal outreach program, initiated its popular CRAFT series, and facilitated numerous artistic collaborations with artists across the state and country. In August 2018, she moved to Los Angeles to join her husband. She continues to support Bruce Wood Dance as artistic advisor.
Larry Lane first worked with Bruce Wood Dance Project in 2012 when Bruce Wood® chose him to perform in his masterpiece, My Brother’s Keeper. In 2013, he and Wood collaborated on the production of Mistletoe Magic—a Christmas cabaret at the legendary Venetian Room with Broadway stars Jason Graae and Elizabeth Stanley. After Wood’s passing, Lane produced Mistletoe Magic in 2015 and 2016 with Broadway stars Liz Callaway and Hugh Panaro. He also was associate producer for June 2017’s Chasing Home, which focused on the plight of refugees around the world.
Earlier this year, Lane produced the Valentine cabaret and fundraiser––Love, Bruce, starring Brent Barrett and Joseph Thalken. Lane initiated and produced a Texas Weekend Getaway with Bruce Wood Dance to Big Spring, Texas in March. The weekend festivities offered Dallas patrons an opportunity to travel with the company and enjoy the rich cultural history of West Texas.
Lane brings considerable training and experience in the theater to Bruce Wood Dance. For more than 17 years he has produced cabaret shows at destination resorts across the country. He has worked with Hollywood legends Lily Tomlin, Debbie Reynolds, Phyllis Diller, Marge Champion, and JoAnn Worley, as well as Broadway legends Tommy Tune, Faith Prince, Donna McKechnie, and Rebecca Luker. Previously, Lane worked in New York as a performer, touring in Broadway’s A Chorus Line, Best Little Whorehouse in Texas, Evita, and Fiddler on the Roof, to name a few.
Lane is a graduate of the Professional Acting Program at SMU. He has a passion for practicing and teaching Iyengar yoga.
Eric Coudron succeeds Joy Atkins Bollinger as rehearsal director for Bruce Wood Dance. Coudron started dancing at age 16 at Southwest School of Dance in Marshall, Minnesota. He began his college training as a musical theater major at Oklahoma City University and later graduated with a BFA in Dance Performance from Southern Methodist University Meadows School of the Arts. While enrolled at SMU, Eric danced in works by Bruce Wood,® Adam Hougland, and Joost Vrouenraets. Upon graduation, he joined Bruce Wood Dance and performed in nine dances choreographed by Bruce Wood® and various works by Bryan Arias, Kate Skarpetowska, Kimi Nikaidoh, Joy Bollinger, and Albert Drake. Coudron left performing in 2017 to teach dance. For the past two years, he has taught at Prodigy Dance & Performing Arts Centre in Frisco. Over the past year, Coudron has been a company teacher for BWD.
The mission of Bruce Wood Dance is to present high-caliber, original, contemporary choreography that
harnesses the power of dance as a tool for entertainment, enrichment, and healing. Fortified by Bruce Wood®’s
aesthetic, BWD produces and maintains his repertoire, commissions new work by resident choreographers and
guest dance-makers, and contributes to the quality of life in Dallas–Fort Worth, Texas, and across the nation.
Bruce Wood Dance Company is a 501(c)3 non-profit arts organization. We are grateful for the support of our sponsors.
Bruce Wood is a registered trademark.