Kimi Nikaidoh, a Dallas native, received her training from Canada’s National Ballet School, the School of American Ballet, American Ballet Theater, and Tanju and Patricia Tuzer. She spent the first five years of her performing career as a member of the Fort Worth-based Bruce Wood Dance Company. Nikaidoh joined Complexions Contemporary Ballet in 2005, touring nationally and internationally with the company through 2008.
While earning a degree in neuroscience and behavior from Columbia University, Nikaidoh freelanced as a performer, stager, and choreographer in New York City. She restaged works for Bruce Wood,® Dwight Rhoden, and Emery LeCrone at Charlotte Ballet, Boston Ballet II, Dallas Black Dance Theatre, The Juilliard School, Marymount Manhattan College, Point Park University, and Columbia University. Her choreographic works have been performed by Complexions Contemporary Ballet (The Joyce Theater); Bruce Wood Dance (Jacob’s Pillow Inside/Out Performance Series, St. Marks Church, Manhattan Movement and Arts Center, Moody Performance Hall); Avant Chamber Ballet (MPH); Columbia Ballet Collaborative (Miller Theater); and Firebone Theater (Kirk Theatre).
Following Wood’s untimely passing in 2014, Nikaidoh returned to Dallas to serve Bruce Wood Dance as artistic director. She expanded the company’s repertoire with new commissions while working to increase national exposure of Bruce Wood®’s legacy. She conducted the company’s first formal outreach program, initiated its popular CRAFT series, and facilitated numerous artistic collaborations with artists across the state and country. In August 2018, she moved to Los Angeles to join her husband. She continues to support Bruce Wood Dance as artistic advisor.
PHOTO BY BRIAN GUILLIAUX
Matt Rivera has spent the better part of the past 30 years dancing and performing on stages throughout the country and around the world, and off stage as a teacher, coach, and choreographer. He began his career on the concert stage performing with Hubbard Street Dance Chicago under the direction of founding director Lou Conte, and then in New York City with the companies of Eliot Feld and Twyla Tharp, as well as The American Dance Machine for the 21st Century. On the theater stage, Rivera worked with several Broadway touring companies, including Movin’ Out, Swing! (assistant dance captain), and CATS; off-Broadway in Garden of Earthly Delights (dance captain) and Lynne Alvarez’s Romola & Nijinsky; and most recently with the Las Vegas production of MAMMA MIA! where he also acted as dance captain. His Las Vegas credits also include Cirque Du Soleil’s Viva Elvis and acting as company instructor for NBT. Rivera is currently on faculty at several schools in the Dallas area.
PHOTO BY JASON WATSON
The mission of Bruce Wood Dance is to present high-caliber, original, contemporary choreography that harnesses
the power of dance as a tool for entertainment, enrichment, and healing. Fortified by Bruce Wood®’s aesthetic,
Bruce Wood Dance produces and maintains his repertoire, commissions new work by resident choreographers and
guest dance–makers, and contributes to the quality of life in Dallas–Fort Worth, Texas, and across the nation.
Bruce Wood Dance Company is a 501(c)3 non-profit arts organization. We are grateful for the support of our sponsors.
Bruce Wood is a registered trademark.